Born in Iznalloz (Granada) in 1995, it is in the family where he learns his first bars in a self-taught way. His mother sang since he was a child and the young singer assimilated the songs he heard from the radio in the voices of Camarón and other flamenco artists of the time. Also prominent in his family are the older brother, who points out forms such as tocaor and cantaor, and some of his uncles. At the age of 12 he took his first classes from the tocaor Alberto Fernández, with whom he spent seven months and from there, at the age of 13, he began a solo learning process that would culminate with two of the most important prizes of flamenco art.

In 2009 he participated in the television contest %22Veo Veo%22 of Canal Sur where he won the special mention at the age of 14. At the age of 20 he began to work professionally in the flamenco tablaos and caves of Granada, where he acquired the necessary technique for the accompaniment to dance and singing. Thus, it begins in the Flamenco Temple, together with the Vallejo family, from where it would be claimed in caves such as La Rocío and La Venta del Gallo, among others. Months later, he was hired at the Casa del Arte, where he accompanied leading figures such as Belén López, Miguel El Rubio and Karime Amaya. In 2016 he was invited by Juan Andrés Maya for the famous Madrid tablao Corral de la Morería, where he coincided with El Bocadillo, El Perrete and the dancer Belén López.
In 2019 he stars in one of the most well-known chapters of Granada flamenco by becoming the winner of two of the main international flamenco competitions. Thus, he obtained the Bordón Minero of the Festival de las Minas de La Unión, and the first absolute prize in the prestigious National contest of Córdoba. Few artists have achieved such a feat, and less in the same year. His name adds to that of a short list of doubly awarded artists, among which Vicente Amigo stands out.
He has accompanied great flamenco figures such as Potito, La Nitra, Guadiana, Sergio Colorao, Jaime El Parrón, Marina Heredia, Manolete, La Farruca, El Farru, El Carpeta, Rafael Amargo, Antonio Canales, Luis de Luis, Pepe Torres, La Repompa, Juan Ángel Tirado and Antonio Campos.
He reaps great successes from the public and critics with his latest show %22De La Unión a Córdoba%22, with which he closed the famous cycle Festival de la Guitarra de Granada in 2020. The newspaper GranadaHoy highlighted the following: %22I’m going to remember my land%22, announced the player to open the second batch with a touch for ‘Granaínas’ where the tremolos dazzled at the same time as the ‘Abandolao’ with which this piece ends. Some tasty ‘Tanguillos’, of interesting harmonies, returned the rhythmic counterpoint to the recital, exploding with the apotheosic magic of the touch by bulerías with which it closed. Rhythmic games, syncopes, scales and harmonic phrasings straddling tradition and modernity, define the touch of this young Granadan value for which an eminent place in the highest echelons of flamenco is reserved%22.